A tech enthusiast and software engineer with over a decade of experience in AI research and digital innovation, passionate about sharing knowledge.
It has been quite some time since anyone saw or heard from the acclaimed actor Daniel Day-Lewis. After he announcement in 2017 declaring he would no longer work as an actor, prior to the debut of Phantom Thread, Day-Lewis withdrew from the spotlight. However, during his hiatus, his reputation expanded further.
Largely, this legend revolves around his favored style of working. As someone who famously disappears into the roles he plays – for example, while filming Lincoln, he had Steven Spielberg call him “Mr. President” for the entire production – audiences has become more fascinated with how he works. Is it true he really send texts to Sally Field in character as Lincoln? Did he only eat animals he’d killed during Last of the Mohicans? Did he demand being spoon-fed while filming My Left Foot?
Extreme acting methods: have we lost interest with over-the-top performances?
Now, Day-Lewis is back in the limelight, somewhat reluctantly, promoting his latest movie Anemone. He is using this to express his anger at how method acting is perceived. “I am somewhat annoyed these days when I hear various individuals talking carelessly and saying things like ‘fully embraced the Method’, which seems suggests that a person’s behaving like a lunatic in a drastic way,” he stated to a major publication. “People tends to focus on superficial aspects of acting, and those details always seem to involve some sort of self-flagellation or an experience that imposes upon oneself extreme unease or mental instability. However, in the career for a performer, it has to principally be about the inner transformation.”
Frankly, this sounds like Day-Lewis has come out from his retreat only to discover shocked by the acting community that has developed mirroring his methods. If you’re widely considered among the best performers to ever work, and your process includes headbutting a dummy to the point of injury (in Gangs of New York) or enduring two days in isolation without food or water (during In the Name of the Father), then it stands to reason that other actors will want to emulate that example by imitating your hero.
Essentially, we now live in an environment full of half-cocked imitators of Day-Lewis who want nothing more than to demonstrate the sheer amount of effort they invest in their roles. On the milder side of the pool there are performers such as Lady Gaga, who was determined to earn an Academy Award with House of Gucci that she spent the whole campaign trying to convince everyone that she transformed into functionally Italian over 18 months as preparation.
Additionally, there is Jared Leto, who chose to deeply embed himself into the role of the Joker (in Suicide Squad) by sending “horrifying” presents to fellow cast members. These items, according to various accounts, range from dead pigs and rats to anal beads and used condoms, although Leto denied those worst excesses. And then, naturally, we have Jim Carrey, who went so deep into Andy Kaufman for Man on the Moon that they succeeded in creating a full-length documentary out of B-roll of him making life as impossible as he could for everyone around him.
The foremost Method Guy currently would appear to be Jeremy Strong (formerly Day-Lewis’s assistant), whose approach while filming Succession was so laboriously intensive that it formed the subject of a critical New Yorker profile, full of quotes from individuals who were worried for his behaviour (“It’s the cost to himself concerns me,” remarked co-star Brian Cox) or annoyed beyond all measure by it (“I remember him causing everyone else roll their eyes,” stated an unnamed co-star).
The actor says he ‘never intended to stop acting, really’
We have numerous additional cases. Andrew Garfield went celibate for six months while preparing for Silence. Leonardo DiCaprio slept in a dead animal during The Revenant. There’s a fighting chance that Austin Butler continues to talk like Elvis Presley, years following that film came out. Each of these instances, to some extent, aims to evoke the dedication with which Day-Lewis takes his craft.
And, while his fightback against method detractors could be commendable, a brief promotional cycle might not be enough to alter perceptions, let alone their behaviour. Maybe if he wants to remind people what method acting is, or to show them what it can achieve, then the optimal strategy for Day-Lewis is to simply start making additional movies. Surely everyone would get behind that.
A tech enthusiast and software engineer with over a decade of experience in AI research and digital innovation, passionate about sharing knowledge.