A tech enthusiast and software engineer with over a decade of experience in AI research and digital innovation, passionate about sharing knowledge.
Generally speaking, I've had my fill of apocalyptic horror. Although favorites such as 28 Days Later along with the initial episodes from The Walking Dead were gripping, the genre seems mostly depleted nowadays. Yet the highly anticipated 28 Years Later remains sitting in my watchlist for some time. But, the platform's latest Southeast Asian zombie flick, The Elixir, managed to subvert my expectations and proved remarkably entertaining.
One of the film's greatest assets lies in the superb pacing. It begins with a striking initial scene where a peaceful family party gets suddenly interrupted by a vehicle crashes right into the guest area. From the wreckage, an extremely zombie-like stranger stumbles out proceeding assaulting the attendees. This dramatic moment is then followed by a flashback, allowing us to observe this household prior to the tragedy struck.
Unlike many undead movies, The Elixir truly gives viewers enough opportunity to become acquainted with the primary characters prior to the chaos ensues. We meet Nes, a wife and mother whose ex close friend, Karina, is now wed to her dad—an obviously uncomfortable dynamic. This has understandably caused a rift among the two women. We also see Nes' brother, Bang, described as kind-hearted yet socially awkward, and he loves gaming with Nes' young son, Raihan. Her spouse, Rudi, seems to have lately been unfaithful to her. This household patriarch is her dad, the owner of a popular natural medicine company called Wani Waras, and he appears to care about only two aspects: his work and his marriage to his daughter's former best friend. Needless to say, this family reunion proves incredibly strained.
I became so engrossed with this family's dynamics along with their interpersonal drama that I almost forgot I was watching a scary movie—something that could seem like a drawback, yet ultimately worked well. The Elixir dedicates a significant portion of the film to showing viewers the identity of every family member represents, and how they contribute to the overall turmoil. This emphasis on clashing traits allowed the audience to relate to the personalities sufficiently to care about their fate—a rare accomplishment for this style that often introduces characters just to kill them off shortly afterwards. The Elixir doesn't treat its characters as two-dimensional, expendable casualties for a horde of the undead to devour, thus it's a genuine surprise once events finally deteriorate.
The opening sequences from the gathering and various family interactions actually evoke the film Parasite, a tale that masquerades as a K-Drama featuring somewhat morbid comedy prior to making a sudden turn toward shocking ground. These early moments aren't centered as much on humor as Parasite, but The Elixir still provides enough time to immerse in its world prior to it gets turned upside down.
This movie also offers a fairly interesting explanation regarding the origin of the contagious zombification. Instead of a unintended lab leak or a type of bioweapon, the cause for this infectious condition stems from a recent batch of Wani Waras natural medicines created by her dad. Although some background is provided a bit about its origins, it would have been better if the film had spent additional focus on how Wani Waras transitioned from a reputable supplier of natural treatments to producing a deadly elixir that appears to contain a highly contagious virus. Regardless of the limited context, the impact this condition has on people is utterly disgusting, and I love it. The Elixir's zombies prove quick, bizarre in appearance, and, maybe most disturbingly, constantly grinning. This represents a bold decision, yet it works. The Elixir's physical effects and computer graphics are also quite realistic, and they're practically guaranteed to trigger one's trypophobia.
Even better than the disgusting moments is the cast themselves. Of course, there are a few instances of dubious choices (like any typical undead film), but for the most part, Nes and her family are resourceful and sharp. Additionally, they don't hesitate to strike a zombie in the head, stab it using a farm tool, or hit it on the skull with whatever blunt instrument is available instead of freezing like a deer caught in lights while danger nears.
The Elixir doesn't drop its themes on family conflict when people begin transforming into zombies, which was a welcome realistic subversion from that "We don't get along|"We have issues, but since you nearly died I immediately forgive you for everything! trope frequently used in apocalyptic films. It's clear, Nes loves her family and cares about her husband, Rudi, but it's also apparent she's still clinging to resentment regarding his infidelity in their relationship. Once the household gets separated, they agree over the phone to regroup at a nearby location. However, once Bang admits he is unaware how to get there, Nes unleashes an immense amount of frustration on her brother that's clearly been brewing for years. Nes isn't flawless, and her family—with all their imperfections—feel realistic and relatable because the film doesn't try to promote the notion that a near-death experience immediately resolves familial strife. This makes those instances when these characters do show gratitude for each other seem much more sincere.
Despite The Elixir's strong efforts to break new ground, the conclusion must be said to be somewhat formulaic. The Elixir isn't really presenting any deep message regarding relatives or community, either. Rather, it's primarily serving up scares. But they're successful frights, and because the movie allows every personality sufficient space to grow and doesn't punish them for their imperfections, the outcome is a captivating and enjoyable
A tech enthusiast and software engineer with over a decade of experience in AI research and digital innovation, passionate about sharing knowledge.